Charles K. Neimog holds a PhD in Music from the University of São Paulo (USP), where he
investigated musical composition through the philosophy of technology, with an emphasis
on the ideas of Bernard Stiegler. His research combines theoretical reflection and
technical innovation, focusing on the democratization of computational music through
free and open-source tools such as pd4web (running Pure Data patches in web
browsers), py4pd(integrating Python and Pure Data for data processing and
AI), and OScofo(synchronizing digital scores in live performances).
He earned a Master’s degree in Interdisciplinary Poetic Processes from UFJF, where he developed a methodology for organizing microtonal systems by Harry Partch, Erv Wilson, and Ben Johnston using Iannis Xenakis’ sieves in OpenMusic, under the supervision of Prof. Dr. Luiz Castelões. He holds a Bachelor’s degree in Composition and Conducting from the School of Music and Fine Arts of Paraná (2018) – Unespar. His artistic practice explores human-machine interaction in Electroacoustic Music, treating technology as an active agent in the creative process. His career is characterized by technical innovation and a commitment to musical accessibility, promoting inclusive sonic proposals where experimentation, theory, and low-cost tools converge to expand the possibilities of contemporary musical creation.